Tuesday, December 22, 2009

Bushnell 3200 Elite 10x40

Comus





I have vague memories of when this record came out (1971). The hallucinatory and disturbing the proceedings and cover a bit 'hasty (and rather wrong ...) that the seller hoped to vendemelo: "A little' King Crimson, a little 'Soft Machine". I do not trust him, even though the picture on the cover was attractive and repulsive at the same time. Once you bought the discs (also) for the cover, even before listening to them. Many years later, I happened to hear a few notes of this group, maybe a radio show, and I decided to buy the LP, but in the meantime had become impossible to find. Since then, I'm looking for, even the Ark was lost.
Not long ago, I learn that in 2005, Castle Music released a box set with the first (and only) two albums. It was not easy to get, but the Internet you can find almost everything.
Active in the early '70s, the Comus over the years have become a cult band. Also because of their very little commercial success, which they led to a dissolution after the first failure of the first album, and then, ricostituitisi with a slightly different training for a second album, melted (almost ...) definitively at the end of 1974.
The group was formed around the core duo consisting of guitarist Roger Wootton and Glenn Goring: Two students of "Ravensbourne College of Art in Bromley, Kent. Wootton and Goring started playing together in various folk clubs in 1967. The two join Chris Youl, who will become the future manager of the band, and Colin Pearson (violin). Over the years, other components will be added to the group (singer Bobbie Watson , il bassista Andy Hellaby ) e la musica si evolve: da un folk stile “ Pentangle ” ad una musica che può rientrare nel rango di “progressive”, anche se lo stesso Glenn Goring ama definirla “ acid folk ”.
Finalmente, nel Giugno del 1970, riescono ad ottenere un contratto per incidere il loro primo album, “ First Utterance ”, che esce nel Febbraio del 1971. Comus , nome scelto da Youle, può riferirsi sia ad una divinità minore della mitologia greca, figura legata alla potenza disordinata del caos, sia ad una “ masque ” di John Milton.  Con questo termine s'intende una forma di rappresentazione teatrale in voga nell'Inghilterra del XVI e XVII secolo. Praticamente un corteo di maschere che suonano, ballano e invitano gli spettatori a partecipare a danze e giochi. Il disegno della copertina, vero punto di forza del disco, è ispirato alla celeberrima copertina di “ In The Court Of The Crimson King ”, e l’autore è il chitarrista e fondatore della band, Roger Wootton . Glenn Goring disegnerà l’interno della copertina, altrettanto originale.
La formazione di questo primo album è la seguente:

•    Roger Wootton - acoustic guitar, singing
• Glenn Goring - at 6 and 12 string guitar, electric guitar, slide, tambourine, singing
• Andy Hellaby - electric bass, fretless bass, hand
• Colin Pearson - violin, viola
• Rob Young - flute, oboe, tambourine
• Bobbie Watson - singing, percussion

The first listen to "First Utterance " is dazzling. The voices of Wootton (the modello è R oger Chapman dei Family ) e quella acuta e cristallina di Watson si inseriscono in un insieme musicale (a volte disturbante, a volte dolcissimo) originalissimo e unico. Musica e testi sono pervasi da un’atmosfera oscura e quasi minacciosa, e le storie parlano di violenze, omicidi, disordini mentali, mentre una natura violenta domina sugli uomini, spesso inermi vittime di dei capricciosi e bastardi. Il risultato è un disco prezioso e originale come pochi. L’unico paragone che viene in mente è con “ Breathe Awhile ” dei semi-sconosciuti “ Arcadium ”, di due anni più vecchio e altrettanto raro. Molto belli i due long tracks ("The Herald " with acoustic guitar arpeggios really valuable, and "Drip Drip "), but how can we forget " Diana " el'inquietante "Song To Comus ? Something of their seed, however, we find him in "Dead Can Dance " (but they too are gone ...) and the "Space Ritual " reincarnation of "Hawkwind .
few months after the release of the album, the commercial failure of that party, the group broke up for the loss of some components ( Glenn Goring , su tutti, ma anche il manager e co-fondatore Chris Youle ). Tre anni più tardi, con una formazione allargata e alquanto diversa, ci riprovano e incidono, per la Virgin “ To Keep From Crying ”.

•    Roger Wootton - chitarra folk, canto
•    Andy Hellaby - basso elettrico, basso fretless, canto
•    Bobbie Watson - canto, percussioni
•    Lindsay Cooper - oboe
•    Philip Barry - drums
Caxon • Gordon - drums
• Didier Malherbe - saxophone
• Keith Hale - keyboards • Tim Kraemer
- cello

The result is quite disappointing, more if compared with the excellent debut. Glenn Goring is gone and with him went the darker atmospheres and arpeggios softer, his voice more and more acute Bobbie Watson has taken precedence over the more nuanced of Roger Wootton , ma soprattutto è scomparso quel filo conduttore che fa di un lavoro ordinario un capolavoro unico. C’è ben poco da apprezzare in questo album: le canzoni scivolano verso un pop “americano” alquanto irritante e non bastano la maestria dei componenti ( Lindsay Cooper e Didier Malherbe , su tutti) per salvare un disco da momenti a dir poco imbarazzanti. Ma nemmeno queste scelte musicali salvano i Comus da un altro disastro commerciale e relativo scioglimento.
L’esauriente cofanetto, da cui sono tratte le uppate che seguono, contiene, oltre ai due album:

•    tre brani di un mini-LP uscito prima di First Utterance ;
•    un inedito dell’epoca (“ All The Colours Of Darkness ”, pregevolissimo);
•    due incisioni di Roger Wootton del 1974, da dimenticare.

Dopo una notte durata ben trentaquattro anni i Comus si riuniscono di nuovo il 9 Marzo del 2008 al Melloboat Festival, in Scandinavia, nella seguente formazione:

•    Roger Wootton - chitarra, canto
•    Glenn Goring - chitarra a 6 e a 12 corde, bongos
•    Andy Hellaby - basso
•    Colin Pearson - violino, viola
•    Bobbie Watson - canto, percussioni
•    Jon Seagroatt – flauto, percussioni

Comus plays again!


Song To Comus – The Complete Collection
Boxset/Compilation, released in 2005

Songs / Tracks Listing
Disc 1 ( First Utterance (Dawn DNLS3019; released February 1971)) (71:50)
1. Diana (4:36)
2. The Herald (12:11)
3. Drip Drip (10:51)
4. Song to Comus (7:30)
5. The Bite (5:29)
6. Bitten (2:19)
7. The Prisoner (6:18)
8. Diana* (4:24)
9. In the Lost Queen's Eyes* (2:50)
10. Winter is a Coloured Bird* (8:01)
11. All the Colours of Darkness** (7:22)

Disc 2 ( To Keep From Crying (Virgin V2018; released August 1974)) (47:53)
12. Down (Like a Movie Star) (4:07)
13. Touch Down (4:46)
14. Waves and Caves (1:34)
15. Figure In Your Dreams (3:11)
16. Children of the Universe (5:38)
17. So Long Supernova (3:22)
18. Perpetual Motion (4:07)
19. Panophany (0:31)
20. Get Yourself a Man (7:08)
21. To Keep from Crying (5:40)
22. After the Dream (1:00)
23. Fiesta Fandango*** (3:50)
24. New Tide*** (2:59)

* -- Maxi single (Dawn DNX 2506; released January 1971)
** -- Previously unreleased
*** -- Roger Wootton solo single (Virgin VS113; released November 1974)

Enjoy




Monday, December 14, 2009

Lacrosse Visors Oakley

go here, go Jónsi

Jón Thor Birgisson (Jónsi ) is singer and guitarist of the Icelandic group Sigur Rós . In 2010 released his first record by "only" with the collaboration of other musicians such as Alex Somers, with whom he created the recent " Riceboy Sleeps" (we have already spoken: http://ranierus. blogspot.com/2009/11/jonsi-alex-riceboy-sleeps.html ) Nico Muhle , American composer and pianist, who has to his credit artistic collaborations with Björk and Philip Glass; Samuli Kosminen , Finnish percussionist.
The album is called " go," due out in March (specifically 22) in 2010 and found the link below to download a song (" lilikoi boy").
It feels more the mark of Sigur Rós, from the album with Alex Somers, very listenable and, as always when it comes to the Icelandic group, you can feel the atmosphere "unique".



Enjoy ...
http://www.megaupload.com/?d=AS7HRQ5U
...

Tuesday, December 1, 2009

When Does The Mucus Come During Ovulation

III



Subito dopo l'uscita del loro secondo album, il gruppo ritorna in studio per la realizzazione di quello che sarà considerato il miglior lavoro dei Caravan , una pietra miliare del rock progressivo e, in definitiva, un capolavoro musicale. Sempre in bilico tra nonsense di sapore zappiano e melodie pop orecchiabili, adagiate su di un tappeto musicale che potremmo definire "prog-jazz" di eccellente qualità, le canzoni del disco scorrono via in un'atmosfera surreale e leggera fino al capolavoro nel capolavoro, autentico diamante di un diadema già di per sé stupendo: the suite "Nine Feet Underground", which occupied the second side of the LP of 1971, year of release of this " In The Land Of Grey and Pink .
Two words on the cover: designed by Anne Marie Anderson, is an icon of rock and 70's shows, in fact, a land (half?) In pink and gray. In my opinion, has given more of an inspiration to director Peter Jackson in the implementation of the scenery of the land of Hobbitt for the film "The Lord of the Rings."
Returning to the suite "Nine Feet Underground", it is probably the intuition of the producer David Hitchcock cast in this form of different songs recorded by the band. The result is a listening experience this unique is: all the Canterbury sound in it, but not limited to, echoes ranging from Gentle Giant to the Colosseum, from Robert Wyatt to Genesis, through the Pink Floyd. And with each listen you discover an influence, a quote, as a preview of something that came later. Needless to say, after this record, the Caravan never reached, even remotely, the heights attained in this work. Moreover, David Sinclair will go away shortly after the release of the disc to reach Wyatt ( Matching Mole), and later Richard Sinclair leave the convoy to set up " Hatfield & The North, "a sort of re-styling of the Caravan.

The version you can download has been remastered from Decca / Dram in digital in 2001 with the addition of previously unreleased material, alternate versions, different instrumental or with lyrics.

Track Listing All songs by

R.Coughlan / P.Hastings / D.Sinclair / R.Sinclair, except "Aristocracy" (R.Coughlan / P.Hastings / R.Sinclair).

1.
Golf Girl 2.
Winter Wine 3. Love to Love You (And Tonight Pigs Will Fly)
4. In the Land of Grey and Pink
   5. Nine Feet Undergound
      a. Nigel Blows a Tune
      b. Love's a Friend
      c. Make It 76
      d. Dance of the Seven Paper Hankies
      e. Hold Grandad By the Nose
      f. Honest I Did!
      g. Disassociation
      h. 100% Proof

      Bonus Tracks:

   6. I Don't Know Its Name (Alias The Word)
   7. Aristocracy
   8. It's Likely to Have a Name Next Week
   9. Group Girl
  10. Disassociation / 100% Proof   

Enjoy

http://www.megaupload.com/?d=LQJ0H0WU